SEPTEMBER 27, 2018, 6:00 p.m
Great Hall
| MARIA FILOTTI THEATER, BRAILA

Author: Jean-Baptiste Poquelin Moliere
Translator: Doru Mareș
Stage version: Alexandru Mazgăreanu
Direction: Alexandru Mazgăreanu
Scenography: Andrada Chiriac (decoration)
Alexandra Mâzgăreanu (costumes)
The music: Alexandru Dan Suciu

Duration of the show: 1h 45min (without break)

Distribution:
Tartuffe: Emilian Oprea
orgone: Valentin Terente
Elmira: Andreea Vasile
Dorin: Corina Borș
clean: Liviu Pintileasa
MARIANA: Narcisa Novac
Damis: Adrian Stefan
Mrs. Pernelle: Emilia Mocanu
VALERIE: Vlad Galer

Tartuffe, or about the timeless image of the charlatan.

A deep story told in verse, a satire which, although written more than 300 years ago, shocks, is as current as possible, a master of comedies of morals, Moliere, who reminds us over centuries of the great human flaws: cunning , hypocrisy, injustice, stupidity, inequality and imposture.

A beautifully sketched comedy, with dramatic aspects, with emotional conflict situations, excellently constructed, which gradually reveals to us the psychological profile of the central character, in this case the impostor Tartuffe, the one who, being aware of human stupidity, masterfully speculating every opportunity that arises, he is determined to reach his intended goal and reach it by any means.

Tartuffe or the revelation of the charlatan, a painfully real pose on the border between bad and worse, far too common in our contemporary society, that type of character that exploits anyone, in any situation, the type of plagiarist so "dear" to us, apparently fervently religious, totally dedicated to faith and unconditional love for fellow human beings, angel and demon alike.

Ciprian Buzoianu – theater expert

 ̎Tartuffe ̎, or the timeless image of the rogue. A profound story told in verse, a satire, though written over 300 years ago, shocking is quite topical, a master of comedy of manners, Moliere, reminds us over centuries, the great defects of human: cunning, hypocrisy, injustice, stupidity, inequality and imposture. A comedy beautifully outlined with emotional conflicts, excellently built, that gradually reveals the psychological profile of the central character, in this case the imposter Tartuffe, the one who being aware of the human stupidity, speculating brilliantly every opportunity, is determined to achieve its intended purpose and to rise by any means. Tartuffe or the disclosure of the charlatan, a stance painfully real stands to the border between bad and worse, all too common in our contemporary society, the typology of character exploiting anyone, in any situation, the type of plagiarism so familiar to our world, apparently religious fervent, totally committed and loving others unconditionally, angel and demon alike. ̎

Ciprian Buzoianu – theatrologist

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